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Christine So
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About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Contact the Artist
Contact
Commission Pricing
Christine So
Home
Works
Works in Situ
Landscape Cyanotype Photographs
Botanical Cyanotypes
Delft Garden: Paintings with Cyanotype Patterns
Abstract Cyanotypes
Collage on Panel
Botanical Paintings
Abstract Paintings
Shop
Shop Online
About
Commissions, Collections, Installations
Events
About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Contact the Artist
Contact
Commission Pricing
Home
Folder: Works
Back
Works in Situ
Landscape Cyanotype Photographs
Botanical Cyanotypes
Delft Garden: Paintings with Cyanotype Patterns
Abstract Cyanotypes
Collage on Panel
Botanical Paintings
Abstract Paintings
Folder: Shop
Back
Shop Online
Folder: About
Back
Commissions, Collections, Installations
Events
About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Folder: Contact the Artist
Back
Contact
Commission Pricing
Shop A Solitary Path (18 x 10 inch inch hand-printed cyanotype photograph)
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A Solitary Path (13MB) lighter version.jpg
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A Solitary Path (18 x 10 inch inch hand-printed cyanotype photograph)

$180.00

(19 x 10 inch inch original hand-printed cyanotype photograph)

Unframed.

Signed on the back by the artist.

Ships flat in a box.

This is a hand-printed photograph using the antique cyanotype process from the 1800s. It is printed on cotton watercolor paper. All of my hand-printed cyanotype photographs are “contact photos”, which means that the large negative is exactly the same size as the paper that the photo is printed on because the negative is laid directly on top of the paper while it is being exposed.

These pines here are in the woods near my house across the bay from San Francisco. They are especially magical emerging from the fog on mornings like this one, which are quite frequent regardless of the season.

This is one of several smaller studies for a much larger larger print of the same photograph I'm going to make. I test the ideal exposure time and range of values (contrast) before I waste larger more expensive paper. In a few days I'll have larger sizes available. 

The paper is a heavy 100% cotton watercolor paper. Slight variations of shades of blue exist from print to print as each sheet of paper was hand-painted with photo chemicals in the dark and printed in natural sunlight with variations in the weather and intensity of light causing some prints to be darker than others.

ADD TO CART: Price already includes sales tax and free shipping to the United States

(19 x 10 inch inch original hand-printed cyanotype photograph)

Unframed.

Signed on the back by the artist.

Ships flat in a box.

This is a hand-printed photograph using the antique cyanotype process from the 1800s. It is printed on cotton watercolor paper. All of my hand-printed cyanotype photographs are “contact photos”, which means that the large negative is exactly the same size as the paper that the photo is printed on because the negative is laid directly on top of the paper while it is being exposed.

These pines here are in the woods near my house across the bay from San Francisco. They are especially magical emerging from the fog on mornings like this one, which are quite frequent regardless of the season.

This is one of several smaller studies for a much larger larger print of the same photograph I'm going to make. I test the ideal exposure time and range of values (contrast) before I waste larger more expensive paper. In a few days I'll have larger sizes available. 

The paper is a heavy 100% cotton watercolor paper. Slight variations of shades of blue exist from print to print as each sheet of paper was hand-painted with photo chemicals in the dark and printed in natural sunlight with variations in the weather and intensity of light causing some prints to be darker than others.

(19 x 10 inch inch original hand-printed cyanotype photograph)

Unframed.

Signed on the back by the artist.

Ships flat in a box.

This is a hand-printed photograph using the antique cyanotype process from the 1800s. It is printed on cotton watercolor paper. All of my hand-printed cyanotype photographs are “contact photos”, which means that the large negative is exactly the same size as the paper that the photo is printed on because the negative is laid directly on top of the paper while it is being exposed.

These pines here are in the woods near my house across the bay from San Francisco. They are especially magical emerging from the fog on mornings like this one, which are quite frequent regardless of the season.

This is one of several smaller studies for a much larger larger print of the same photograph I'm going to make. I test the ideal exposure time and range of values (contrast) before I waste larger more expensive paper. In a few days I'll have larger sizes available. 

The paper is a heavy 100% cotton watercolor paper. Slight variations of shades of blue exist from print to print as each sheet of paper was hand-painted with photo chemicals in the dark and printed in natural sunlight with variations in the weather and intensity of light causing some prints to be darker than others.

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