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Christine So
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About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Contact the Artist
Contact
Commission Pricing
Christine So
Home
Works
Works in Situ
Landscape Cyanotype Photographs
Botanical Cyanotypes
Delft Garden: Paintings with Cyanotype Patterns
Abstract Cyanotypes
Collage on Panel
Botanical Paintings
Abstract Paintings
Shop
Shop Online
About
Commissions, Collections, Installations
Events
About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Contact the Artist
Contact
Commission Pricing
Home
Folder: Works
Back
Works in Situ
Landscape Cyanotype Photographs
Botanical Cyanotypes
Delft Garden: Paintings with Cyanotype Patterns
Abstract Cyanotypes
Collage on Panel
Botanical Paintings
Abstract Paintings
Folder: Shop
Back
Shop Online
Folder: About
Back
Commissions, Collections, Installations
Events
About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Folder: Contact the Artist
Back
Contact
Commission Pricing
Shop Blue Valley (original abstract cyanotype mounted on wood panel, 24 x 12 inches/ 60 x 30 cm)
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Blue Valley (original abstract cyanotype mounted on wood panel, 24 x 12 inches/ 60 x 30 cm)

$450.00
sold out

(cyanotype mounted on 1.5” deep wood panel, 24 x 12 inches/ 60 x 30 cm)

No need t o frame this. It’s ready to hang on the wall.

Though this monotype resembles an aquatint etching or watercolor painting, it is actually a form of photography called a cyanotype or sun print. With my years of experience in traditional printmaking, I often mimic printmaking effects when I use the cyanotype process . Instead of creating an image by blocking light with solid objects (such as plants) on the light-sensitive paper, I used water to block the light, creating subtle gradations of blue as I submerged the light-sensitive paper for carefully timed exposures under water.

ADD TO CART: Price already includes sales tax and free shipping within the United States

(cyanotype mounted on 1.5” deep wood panel, 24 x 12 inches/ 60 x 30 cm)

No need t o frame this. It’s ready to hang on the wall.

Though this monotype resembles an aquatint etching or watercolor painting, it is actually a form of photography called a cyanotype or sun print. With my years of experience in traditional printmaking, I often mimic printmaking effects when I use the cyanotype process . Instead of creating an image by blocking light with solid objects (such as plants) on the light-sensitive paper, I used water to block the light, creating subtle gradations of blue as I submerged the light-sensitive paper for carefully timed exposures under water.

(cyanotype mounted on 1.5” deep wood panel, 24 x 12 inches/ 60 x 30 cm)

No need t o frame this. It’s ready to hang on the wall.

Though this monotype resembles an aquatint etching or watercolor painting, it is actually a form of photography called a cyanotype or sun print. With my years of experience in traditional printmaking, I often mimic printmaking effects when I use the cyanotype process . Instead of creating an image by blocking light with solid objects (such as plants) on the light-sensitive paper, I used water to block the light, creating subtle gradations of blue as I submerged the light-sensitive paper for carefully timed exposures under water.

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