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Christine So
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About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Contact the Artist
Contact
Commission Pricing
Christine So
Home
Works
Works in Situ
Landscape Cyanotype Photographs
Botanical Cyanotypes
Delft Garden: Paintings with Cyanotype Patterns
Abstract Cyanotypes
Collage on Panel
Botanical Paintings
Abstract Paintings
Shop
Shop Online
About
Commissions, Collections, Installations
Events
About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Contact the Artist
Contact
Commission Pricing
Home
Folder: Works
Back
Works in Situ
Landscape Cyanotype Photographs
Botanical Cyanotypes
Delft Garden: Paintings with Cyanotype Patterns
Abstract Cyanotypes
Collage on Panel
Botanical Paintings
Abstract Paintings
Folder: Shop
Back
Shop Online
Folder: About
Back
Commissions, Collections, Installations
Events
About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Folder: Contact the Artist
Back
Contact
Commission Pricing
Shop Faraway Hills 24 ( 18 x 24 " original abstract cyanotype on paper)
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Faraway Hills 24 ( 18 x 24 " original abstract cyanotype on paper)

$250.00
sold out

(18 x 24" Original Abstract Cyanotype on Paper)

I have named this series “Faraway Hills” as the ridges resemble the hills of Angel Island, Marin and San Francisco as I see them from across the bay in Oakland. I was born and raised in San Francisco and the thought of living any place without hills would be unimaginable to me. They have etched their shapes into my memory for life.

Though these monotypes resemble watercolor paintings or an aquatint etchings, they are actually a form of photography called a cyanotype, photogram or sun print. What you see is a multiple-exposure lensless photograph. Each is entirely unique. There are between 10 and 20 separate exposures in each of my abstract cyanotypes. These exact lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each printing.

A traditional single-exposure cyanotype yields a white silhouette against a dark blue background. But instead of creating a white image by blocking light with solid objects on the light-sensitive paper, I used water to block the light, creating subtle gradations of darkening blue as I submerged the light-sensitive paper for different carefully timed exposures under water.

On 100% cotton acid-free watercolor paper. Signed on the back by the artist. Ships in a box.

Unframed.

Free shipping to the USA.

ADD TO CART: Price already includes sales tax and free shipping to the United States.

(18 x 24" Original Abstract Cyanotype on Paper)

I have named this series “Faraway Hills” as the ridges resemble the hills of Angel Island, Marin and San Francisco as I see them from across the bay in Oakland. I was born and raised in San Francisco and the thought of living any place without hills would be unimaginable to me. They have etched their shapes into my memory for life.

Though these monotypes resemble watercolor paintings or an aquatint etchings, they are actually a form of photography called a cyanotype, photogram or sun print. What you see is a multiple-exposure lensless photograph. Each is entirely unique. There are between 10 and 20 separate exposures in each of my abstract cyanotypes. These exact lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each printing.

A traditional single-exposure cyanotype yields a white silhouette against a dark blue background. But instead of creating a white image by blocking light with solid objects on the light-sensitive paper, I used water to block the light, creating subtle gradations of darkening blue as I submerged the light-sensitive paper for different carefully timed exposures under water.

On 100% cotton acid-free watercolor paper. Signed on the back by the artist. Ships in a box.

Unframed.

Free shipping to the USA.

(18 x 24" Original Abstract Cyanotype on Paper)

I have named this series “Faraway Hills” as the ridges resemble the hills of Angel Island, Marin and San Francisco as I see them from across the bay in Oakland. I was born and raised in San Francisco and the thought of living any place without hills would be unimaginable to me. They have etched their shapes into my memory for life.

Though these monotypes resemble watercolor paintings or an aquatint etchings, they are actually a form of photography called a cyanotype, photogram or sun print. What you see is a multiple-exposure lensless photograph. Each is entirely unique. There are between 10 and 20 separate exposures in each of my abstract cyanotypes. These exact lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each printing.

A traditional single-exposure cyanotype yields a white silhouette against a dark blue background. But instead of creating a white image by blocking light with solid objects on the light-sensitive paper, I used water to block the light, creating subtle gradations of darkening blue as I submerged the light-sensitive paper for different carefully timed exposures under water.

On 100% cotton acid-free watercolor paper. Signed on the back by the artist. Ships in a box.

Unframed.

Free shipping to the USA.

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