Flowering Eucalyptus II (original 30 x 21.5" cyanotype)
(30 × 21.5 inch botanical cyanotype on paper)
Unframed.
The same size and colors as the other two prints of the same name (Flowering Eucalyptus I and III). These early spring eucalyptus branches still have their tiny star-shaped flowers attached where the little acorn-shaped seeds grow. They came from a fallen tree in the woods by my house in the Oakland hills.
My botanical cyanotypes are each one-of-a-kind “contact photographs” made outdoors using natural light and real plants and branches. There was no camera or photo negative, no etched plate or printing press.
I spend a great deal of time planning and arranging the composition of the branches on the photo sensitive paper before exposing the contact photograph to achieve a perfect balance of positive and negative space. I enjoy creating the illusion of a “scene” as if each botanical print were a snapshot or a painting.
Every botanical cyanotype I make is unique made using fresh plants and trees from my own garden laid in that exact composition on the hand-coated light-sensitive paper only once.
Hand-printed on 100% cotton Arches watercolor paper with decorative deckled edges which look beautiful float-mounted rather than behind a mat.
Signed on the back.
(30 × 21.5 inch botanical cyanotype on paper)
Unframed.
The same size and colors as the other two prints of the same name (Flowering Eucalyptus I and III). These early spring eucalyptus branches still have their tiny star-shaped flowers attached where the little acorn-shaped seeds grow. They came from a fallen tree in the woods by my house in the Oakland hills.
My botanical cyanotypes are each one-of-a-kind “contact photographs” made outdoors using natural light and real plants and branches. There was no camera or photo negative, no etched plate or printing press.
I spend a great deal of time planning and arranging the composition of the branches on the photo sensitive paper before exposing the contact photograph to achieve a perfect balance of positive and negative space. I enjoy creating the illusion of a “scene” as if each botanical print were a snapshot or a painting.
Every botanical cyanotype I make is unique made using fresh plants and trees from my own garden laid in that exact composition on the hand-coated light-sensitive paper only once.
Hand-printed on 100% cotton Arches watercolor paper with decorative deckled edges which look beautiful float-mounted rather than behind a mat.
Signed on the back.
(30 × 21.5 inch botanical cyanotype on paper)
Unframed.
The same size and colors as the other two prints of the same name (Flowering Eucalyptus I and III). These early spring eucalyptus branches still have their tiny star-shaped flowers attached where the little acorn-shaped seeds grow. They came from a fallen tree in the woods by my house in the Oakland hills.
My botanical cyanotypes are each one-of-a-kind “contact photographs” made outdoors using natural light and real plants and branches. There was no camera or photo negative, no etched plate or printing press.
I spend a great deal of time planning and arranging the composition of the branches on the photo sensitive paper before exposing the contact photograph to achieve a perfect balance of positive and negative space. I enjoy creating the illusion of a “scene” as if each botanical print were a snapshot or a painting.
Every botanical cyanotype I make is unique made using fresh plants and trees from my own garden laid in that exact composition on the hand-coated light-sensitive paper only once.
Hand-printed on 100% cotton Arches watercolor paper with decorative deckled edges which look beautiful float-mounted rather than behind a mat.
Signed on the back.
