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Christine So
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About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Contact the Artist
Contact
Commission Pricing
Christine So
Home
Works
Works in Situ
Landscape Cyanotype Photographs
Botanical Cyanotypes
Delft Garden: Paintings with Cyanotype Patterns
Abstract Cyanotypes
Collage on Panel
Botanical Paintings
Abstract Paintings
Shop
Shop Online
About
Commissions, Collections, Installations
Events
About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Contact the Artist
Contact
Commission Pricing
Home
Folder: Works
Back
Works in Situ
Landscape Cyanotype Photographs
Botanical Cyanotypes
Delft Garden: Paintings with Cyanotype Patterns
Abstract Cyanotypes
Collage on Panel
Botanical Paintings
Abstract Paintings
Folder: Shop
Back
Shop Online
Folder: About
Back
Commissions, Collections, Installations
Events
About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Folder: Contact the Artist
Back
Contact
Commission Pricing
Shop Flowering Eucalyptus III (original 30 x 21.5" cyanotype)
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Flowering Eucalyptus III (original 30 x 21.5" cyanotype)

Sale Price:$350.00 Original Price:$450.00
sale

(30 × 22 inch botanical cyanotype on paper)

Unframed. The same size and color as the other prints of the same name (Flowering Eucalyptus I and II).

These early spring eucalyptus branches still have their tiny star-shaped flowers attached where the little acorn-shaped seeds grow. They came from a fallen tree in the woods by my house in the Oakland hills.

My botanical cyanotypes are each one-of-a-kind “contact photographs” made outdoors using natural light and real plants and branches. There was no camera or photo negative, no etched plate or printing press.

I spend a great deal of time planning and arranging the composition of the branches on the photo sensitive paper before exposing the contact photograph to achieve a perfect balance of positive and negative space. I enjoy creating the illusion of a “scene” as if each botanical print were a snapshot or a painting.

NOTE: The leaves are a pale blue, not white.

Hand-printed on 100% cotton Arches watercolor paper with decorative deckled edges which look beautiful float-mounted rather than behind a mat.

Signed on the back.

ADD TO CART: Price already includes sales tax and free ground shipping to the United States.

(30 × 22 inch botanical cyanotype on paper)

Unframed. The same size and color as the other prints of the same name (Flowering Eucalyptus I and II).

These early spring eucalyptus branches still have their tiny star-shaped flowers attached where the little acorn-shaped seeds grow. They came from a fallen tree in the woods by my house in the Oakland hills.

My botanical cyanotypes are each one-of-a-kind “contact photographs” made outdoors using natural light and real plants and branches. There was no camera or photo negative, no etched plate or printing press.

I spend a great deal of time planning and arranging the composition of the branches on the photo sensitive paper before exposing the contact photograph to achieve a perfect balance of positive and negative space. I enjoy creating the illusion of a “scene” as if each botanical print were a snapshot or a painting.

NOTE: The leaves are a pale blue, not white.

Hand-printed on 100% cotton Arches watercolor paper with decorative deckled edges which look beautiful float-mounted rather than behind a mat.

Signed on the back.

(30 × 22 inch botanical cyanotype on paper)

Unframed. The same size and color as the other prints of the same name (Flowering Eucalyptus I and II).

These early spring eucalyptus branches still have their tiny star-shaped flowers attached where the little acorn-shaped seeds grow. They came from a fallen tree in the woods by my house in the Oakland hills.

My botanical cyanotypes are each one-of-a-kind “contact photographs” made outdoors using natural light and real plants and branches. There was no camera or photo negative, no etched plate or printing press.

I spend a great deal of time planning and arranging the composition of the branches on the photo sensitive paper before exposing the contact photograph to achieve a perfect balance of positive and negative space. I enjoy creating the illusion of a “scene” as if each botanical print were a snapshot or a painting.

NOTE: The leaves are a pale blue, not white.

Hand-printed on 100% cotton Arches watercolor paper with decorative deckled edges which look beautiful float-mounted rather than behind a mat.

Signed on the back.

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