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Christine So
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Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Contact the Artist
Contact
Commission Pricing
Christine So
Home
Works
Works in Situ
Landscape Cyanotype Photographs
Botanical Cyanotypes
Delft Garden: Paintings with Cyanotype Patterns
Abstract Cyanotypes
Collage on Panel
Botanical Paintings
Abstract Paintings
Shop
Shop Online
About
Commissions, Collections, Installations
Events
About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Contact the Artist
Contact
Commission Pricing
Home
Folder: Works
Back
Works in Situ
Landscape Cyanotype Photographs
Botanical Cyanotypes
Delft Garden: Paintings with Cyanotype Patterns
Abstract Cyanotypes
Collage on Panel
Botanical Paintings
Abstract Paintings
Folder: Shop
Back
Shop Online
Folder: About
Back
Commissions, Collections, Installations
Events
About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Folder: Contact the Artist
Back
Contact
Commission Pricing
Shop Foggy Morning Pines (original cyanotype matted to 11 x 14")
Foggy_Morning_Pines_18x24.jpg Image 1 of
Foggy_Morning_Pines_18x24.jpg
Foggy_Morning_Pines_18x24.jpg

Foggy Morning Pines (original cyanotype matted to 11 x 14")

Sale Price:$75.00 Original Price:$150.00
sold out

(8.5 x 11" original cyanotype matted to 11 x 14". )

This is 8.5 x 11" hand-printed original photograph is already attached to an 11 x 14" mat, ready to be put in a standard 11 x 14' frame that you buy.

This is the smaller version of the larger 18 x 24” photograph using the same negative. All my hand-printed photographs using the cyanotype process from the 1800s are originals of the woods near my house.

All of my hand-printed cyanotype photographs are “contact photos”, which means that the large negative is exactly the same size as the paper that the photo is printed on because the negative is laid directly on top of the paper while it is being exposed. It is cumbersome working with a breakable 30-inch sheet of glass at this scale.

These iconic Monterey Pines are in the woods near my house in northern California where I walk. Anyone from Oakland will recognize them. They are a great comfort to me. The changing light and foggy weather transform them so that every hour and every day is like seeing a new painting.

The paper is a heavy 100% cotton hot press watercolor paper. Slight variations of shades of blue exist from edition to edition as each print was hand-painted with photo chemicals in the dark and printed in natural sunlight with variations in the weather and intensity of light causing some prints to be darker than others.

ADD TO CART: Price already includes sales tax and free shipping to the United States.

(8.5 x 11" original cyanotype matted to 11 x 14". )

This is 8.5 x 11" hand-printed original photograph is already attached to an 11 x 14" mat, ready to be put in a standard 11 x 14' frame that you buy.

This is the smaller version of the larger 18 x 24” photograph using the same negative. All my hand-printed photographs using the cyanotype process from the 1800s are originals of the woods near my house.

All of my hand-printed cyanotype photographs are “contact photos”, which means that the large negative is exactly the same size as the paper that the photo is printed on because the negative is laid directly on top of the paper while it is being exposed. It is cumbersome working with a breakable 30-inch sheet of glass at this scale.

These iconic Monterey Pines are in the woods near my house in northern California where I walk. Anyone from Oakland will recognize them. They are a great comfort to me. The changing light and foggy weather transform them so that every hour and every day is like seeing a new painting.

The paper is a heavy 100% cotton hot press watercolor paper. Slight variations of shades of blue exist from edition to edition as each print was hand-painted with photo chemicals in the dark and printed in natural sunlight with variations in the weather and intensity of light causing some prints to be darker than others.

(8.5 x 11" original cyanotype matted to 11 x 14". )

This is 8.5 x 11" hand-printed original photograph is already attached to an 11 x 14" mat, ready to be put in a standard 11 x 14' frame that you buy.

This is the smaller version of the larger 18 x 24” photograph using the same negative. All my hand-printed photographs using the cyanotype process from the 1800s are originals of the woods near my house.

All of my hand-printed cyanotype photographs are “contact photos”, which means that the large negative is exactly the same size as the paper that the photo is printed on because the negative is laid directly on top of the paper while it is being exposed. It is cumbersome working with a breakable 30-inch sheet of glass at this scale.

These iconic Monterey Pines are in the woods near my house in northern California where I walk. Anyone from Oakland will recognize them. They are a great comfort to me. The changing light and foggy weather transform them so that every hour and every day is like seeing a new painting.

The paper is a heavy 100% cotton hot press watercolor paper. Slight variations of shades of blue exist from edition to edition as each print was hand-painted with photo chemicals in the dark and printed in natural sunlight with variations in the weather and intensity of light causing some prints to be darker than others.

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