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12 × 18 inches on heavy cotton watercolor paper.
Unframed.
Price is for one painting, Rhododendron Branch II, but there are virtual depictions of this painting next to others of the exact same size to give a sense of how it would look together with one or two others in a row. The names of the others shown in mockups are Rhododendron Branch I and Rhododendron Branch III, both 18 × 12 inches.
This is a combination of painting and a kind of alternative photographic process from the 1800s: cyanotype. I drew the silhouette of the California Tree Poppies and painted it in —not with ink or paint, but with light-sensitive photo emulsion.
The blue and white pattern seen in each leaf which resembles painted Delft pottery is really a sun print or cameraless photograph of tiny flowers plants laid on top. If you look closely you may see a tiny flower or two.
UNFRAMED on 100% cotton Arches 140 lb. cold press watercolor paper with straight-cut edges.
12 × 18 inches on heavy cotton watercolor paper.
Unframed.
Price is for one painting, Rhododendron Branch II, but there are virtual depictions of this painting next to others of the exact same size to give a sense of how it would look together with one or two others in a row. The names of the others shown in mockups are Rhododendron Branch I and Rhododendron Branch III, both 18 × 12 inches.
This is a combination of painting and a kind of alternative photographic process from the 1800s: cyanotype. I drew the silhouette of the California Tree Poppies and painted it in —not with ink or paint, but with light-sensitive photo emulsion.
The blue and white pattern seen in each leaf which resembles painted Delft pottery is really a sun print or cameraless photograph of tiny flowers plants laid on top. If you look closely you may see a tiny flower or two.
UNFRAMED on 100% cotton Arches 140 lb. cold press watercolor paper with straight-cut edges.
12 × 18 inches on heavy cotton watercolor paper.
Unframed.
Price is for one painting, Rhododendron Branch II, but there are virtual depictions of this painting next to others of the exact same size to give a sense of how it would look together with one or two others in a row. The names of the others shown in mockups are Rhododendron Branch I and Rhododendron Branch III, both 18 × 12 inches.
This is a combination of painting and a kind of alternative photographic process from the 1800s: cyanotype. I drew the silhouette of the California Tree Poppies and painted it in —not with ink or paint, but with light-sensitive photo emulsion.
The blue and white pattern seen in each leaf which resembles painted Delft pottery is really a sun print or cameraless photograph of tiny flowers plants laid on top. If you look closely you may see a tiny flower or two.
UNFRAMED on 100% cotton Arches 140 lb. cold press watercolor paper with straight-cut edges.
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