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Christine So
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About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Contact the Artist
Contact
Commission Pricing
Christine So
Home
Works
Works in Situ
Landscape Cyanotype Photographs
Botanical Cyanotypes
Delft Garden: Paintings with Cyanotype Patterns
Abstract Cyanotypes
Collage on Panel
Botanical Paintings
Abstract Paintings
Shop
Shop Online
About
Commissions, Collections, Installations
Events
About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Contact the Artist
Contact
Commission Pricing
Home
Folder: Works
Back
Works in Situ
Landscape Cyanotype Photographs
Botanical Cyanotypes
Delft Garden: Paintings with Cyanotype Patterns
Abstract Cyanotypes
Collage on Panel
Botanical Paintings
Abstract Paintings
Folder: Shop
Back
Shop Online
Folder: About
Back
Commissions, Collections, Installations
Events
About
Starbucks Art Commission (2022)
Represented by Thomas Deans Fine Art, Atlanta
The Art Timothee Chalamet Bought for His L.A. Nest
My Foggy Woods Photographs Larger than Life at Oakland Airport
Analog Forever Magazine’s Top 40 Analog Photographs of 2023
Sold Out! 2023 Stephanie Breitbard fine Arts Trunk Show
Featured Artist on the Jacquard Products website
Winner of Art of Northern California Open Call
"Ripples" at UC Hastings College of Law
Folder: Contact the Artist
Back
Contact
Commission Pricing
Shop Wind in the Marsh II (Unframed 24 x 60 inch original botanical cyanotype on paper)
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Wind in the Marsh II (Unframed 24 x 60 inch original botanical cyanotype on paper)

$2,000.00
sold out

(24 x 60 inch original botanical cyanotype on paper)

UNFRAMED.

Ships rolled in a tube.

This hand-printed 5-foot long one-of-a-kind cyanotype with hand-torn deckled edges was made by carefully arranging hundreds of individual blades of fresh-cut native Californian wetlands grass. The species of tall marsh grass is called Gray Rush or the latin name juncus patens. It is native to Northern California and grows in local wetlands. If not cut back, it it would grow over 4 feet tall.

NOTE: The blue is a darker navy blue compared to the similar cyanotype of the same size and plant species, Wind in the Marsh.

Although these look like an etching or block print, they are cyanotypes, a type of 19th century cameraless photography also known as blueprints or sun prints. No ink or paint was involved and no photo negative either.

Every one of Christine So's botanical cyanotypes is an entirely unique monotype as the cut plants are laid by hand in that exact composition only once and discarded after they wilt. There is no etched plate, carved block, no ink or printing press.

Printed on 100% cotton acid free watercolor paper with decorative deckled edges for float-mounting.

ADD TO CART: Price already includes sales tax and free shipping to the United States

(24 x 60 inch original botanical cyanotype on paper)

UNFRAMED.

Ships rolled in a tube.

This hand-printed 5-foot long one-of-a-kind cyanotype with hand-torn deckled edges was made by carefully arranging hundreds of individual blades of fresh-cut native Californian wetlands grass. The species of tall marsh grass is called Gray Rush or the latin name juncus patens. It is native to Northern California and grows in local wetlands. If not cut back, it it would grow over 4 feet tall.

NOTE: The blue is a darker navy blue compared to the similar cyanotype of the same size and plant species, Wind in the Marsh.

Although these look like an etching or block print, they are cyanotypes, a type of 19th century cameraless photography also known as blueprints or sun prints. No ink or paint was involved and no photo negative either.

Every one of Christine So's botanical cyanotypes is an entirely unique monotype as the cut plants are laid by hand in that exact composition only once and discarded after they wilt. There is no etched plate, carved block, no ink or printing press.

Printed on 100% cotton acid free watercolor paper with decorative deckled edges for float-mounting.

(24 x 60 inch original botanical cyanotype on paper)

UNFRAMED.

Ships rolled in a tube.

This hand-printed 5-foot long one-of-a-kind cyanotype with hand-torn deckled edges was made by carefully arranging hundreds of individual blades of fresh-cut native Californian wetlands grass. The species of tall marsh grass is called Gray Rush or the latin name juncus patens. It is native to Northern California and grows in local wetlands. If not cut back, it it would grow over 4 feet tall.

NOTE: The blue is a darker navy blue compared to the similar cyanotype of the same size and plant species, Wind in the Marsh.

Although these look like an etching or block print, they are cyanotypes, a type of 19th century cameraless photography also known as blueprints or sun prints. No ink or paint was involved and no photo negative either.

Every one of Christine So's botanical cyanotypes is an entirely unique monotype as the cut plants are laid by hand in that exact composition only once and discarded after they wilt. There is no etched plate, carved block, no ink or printing press.

Printed on 100% cotton acid free watercolor paper with decorative deckled edges for float-mounting.

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