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Unframed.
On watercolor paper.
Combined total: 18h x 36w”.
Three 18h x 12w inch original cyanotype paintings. Once matted and framed they will span 4.5 feet horizontally with spaces between them.
This is a combination of painting and a kind of alternative photographic process from the 1800s: cyanotype. I drew the plant and painted it in —not with ink or paint, but with light-sensitive photo emulsion.
The blue and white pattern seen in each leaf which resembles painted Delft pottery is really a sun print or cameraless photograph of tiny plants laid on top. If you look closely you may see a tiny flower or two.
On 100% cotton watercolor paper.
Signed on the back
Unframed.
On watercolor paper.
Combined total: 18h x 36w”.
Three 18h x 12w inch original cyanotype paintings. Once matted and framed they will span 4.5 feet horizontally with spaces between them.
This is a combination of painting and a kind of alternative photographic process from the 1800s: cyanotype. I drew the plant and painted it in —not with ink or paint, but with light-sensitive photo emulsion.
The blue and white pattern seen in each leaf which resembles painted Delft pottery is really a sun print or cameraless photograph of tiny plants laid on top. If you look closely you may see a tiny flower or two.
On 100% cotton watercolor paper.
Signed on the back
Unframed.
On watercolor paper.
Combined total: 18h x 36w”.
Three 18h x 12w inch original cyanotype paintings. Once matted and framed they will span 4.5 feet horizontally with spaces between them.
This is a combination of painting and a kind of alternative photographic process from the 1800s: cyanotype. I drew the plant and painted it in —not with ink or paint, but with light-sensitive photo emulsion.
The blue and white pattern seen in each leaf which resembles painted Delft pottery is really a sun print or cameraless photograph of tiny plants laid on top. If you look closely you may see a tiny flower or two.
On 100% cotton watercolor paper.
Signed on the back
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